Reading Aims and Methods of Note-Taking , by Turkan Mehraj Ismailli, has prompted me to rethink what note-taking might mean within my artistic practice. Rather than understanding notes simply as preparatory material for an artwork, I am beginning to consider note-taking itself as a form of making—a live, cognitive, and material process that could be the artwork. The text frames note-taking as an active intellectual and embodied activity rather than a passive recording of info

A text I had written during my previous studies. The 'window metaphor' offers a layered approach to understanding visual perception. It...

Eyes have always been a compelling subject in art. They aren't just another facial feature—they are loaded in meaning, and they can carry...

As I am leaning further into my neurodivergent qualities and utilising them in my art practice either as process or visuals, I have found...

Having conversations with fellow artists, a common description of my work was describing the palette I frequently employ (cyan, magenta,...